It is also customary to have Bars and Tone prior to the countdown clock in order to provide reference for both colour and audio level.
Placed over the top of all of this and crucial for any future changes in the edit will be burnt-in timecode. In order to speed up the process of editing and mixing the sound in Pro Tools, it is also important to convey to the video editor that a well laid out timeline can save a lot of time.
Making sure that the tracks are named and audio clips are on the correct track. A track list is also often sent along with any additional notes. The video editor will then provide an exported video reference file containing all of these elements and their current sound mix, along with the exported OMF or AAF file and related media if necessary. The Source Properties section displays information about the format of the data to be imported into the session including:.
It is important to note the following options available. Once all of the options have been chosen you are ready to import into Pro Tools to start working on the sound. It is a good idea now to duplicate these tracks and then choose Hide and Make Inactive, so that you have the original material to go back to if you need to.
Key to making sure that you work efficiently with OMF and AAF files is communication with the rest of the team on that project. Setting out what you require from them and how a project will be delivered will help to speed up the process. Naming of tracks and organization of media on the source side will also aid in this. Your email address will not be published. Metadata and Media Data Metadata This is the data that provides information on the length of each clip, the handle length, the position of the clip in the timeline, automation data volume, pan , name of clip, etc.
Embedded Media When exporting an OMF or AAF file with embedded media, the result is one large file containing both the metadata and all associated media files.
Externally Referenced Media. Countdown clock and project information. HD Bars and Tone with Timecode overlay. File — Import Session Data. Import Session Data — Source Properties. I am not positive, though.
SSL also makes a pretty expensive translation software suite. Or else there may be a way for your colleague to consolidate his files so they all have the same start time. Just depends on the level of access you need to what is already there - not a problem if you are just layering things on top. Find all posts by timebandit.
Sorry I didn't have better news As I understand it even Nuendo has to use a third party conversion app. If you can translate it in Sonar that's a solution. Be sure to put a 2 pop at the head of your tracks so you can line up sync when you import them into PT. Welcome to the country club Wilson Dyer mpse. Thanks for the help guys.
Once I get paid for the project, I might use the money to get the DVtoolkit. Thanks again! It the automation glide and the automation snapshots that make not just post batter but music too - love replace region command, timecode 1 ands 2 - video universe, 64 tracks,video tracks import OMF, AAF, and MXF.
Originally Posted by tonepad. Ray Lyon. Why can't you just export in Logic as audio files and drag the files into a new Pro Tools session? Find all posts by Ray Lyon. All times are GMT The time now is AM. User Name. Remember Me? Mark Forums Read. Page 1 of 2. Thread Tools. Join Date: Feb Posts: 5. Find all posts by billmaudio.
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